Thursday, July 26, 2012
Day Almost Opening Night: I Love You Guys
Firstly: In my junior high years we too had our traditions. On opening night our...assistant director, Dylan (who everyone loved beyond belief) would have us all stand in a circle in widest the hallway, take three random people to put in the middle, had us all hold hands and we did what he called "The Pulse". Each member of the circle would make a "zzzzz" sound while we went around in a circle squeezing each other's hands with our eyes close. As they did this, the three people in the middle would talk. I had the privilege to talk in the middle my very last show there. It was..emotional. People didn't cry, but everyone looks very serious after it. Anyways, after the three speakers finished, Dylan would count down from 3 to 1 and at 1, everyone had to shout "ZAP" with all their might. Our actual director hated that we did this, but it was a very symbolic thing to us cast members. Dylan is now studying in L.A. I believe.
I know we won't do that on our show nights, but I just thought I'd share that with you guys.
Secondly: Alright, time for me to get sentimental about our time together.
These three weeks have flown by quicker than any other I've experienced before. I have grown rather attached to all of you and could not have asked for a better cast for my first show in North Carolina. I hope to be in many more shows with all of you guys, if possible. If not, you guys must come with me whenever I trek to N.Y.C for my adult years as I hope to do. Wouldn't that be a great adventure? Anyways, really, each day you've all..surprised my with your amazing acting skills and your willingness to learn and just how friendly you each are. Honestly, cliche as it is, this has been one of the best life experiences of mine, and I will definitely be investing the next few summers of my life at Burning Coal's STC.
Thirdly: If I don't get hugs from you all tomorrow at one point or another, by this hand, I will supplant some of your teeth!
I'm sure I'll post again tomorrow night and the day after, but for now, I'll leave you with some muzack.
-A solem song: http://www.youtube.com/watch?v=SGhAjYLXKqw
-A song that is somewhat similar to this summer: http://www.youtube.com/watch?v=aXlnMveRt-Y
-A song I listened to on Bevan's ipod today: http://www.youtube.com/watch?v=rH9E-rWzjXE
-A song that I'd sing to you guys if I knew all the words: http://www.youtube.com/watch?v=SGBLiGFaddo
Aaaand...
-A song that makes me think of our very own Steven Tyler, Daniel: http://www.youtube.com/watch?v=3TCty9f1U1o
Sleep well tonight, guys! You all will need your rest for tomorrow!
Hugs and butterfly kisses,
-Your Emily Rose
Wednesday, July 25, 2012
Day: Erm..: SACRIFICE
Monday, July 23, 2012
I'm ok now...
Sunday, July 22, 2012
...and you thought my musical choices were strange.
This is the last ten minutes of Jarman's adaptation of the tempest...definitely the strangest adaptation of The Tempest I've ever seen.
I LOVE STC!!!
The class this morning with Ian was really enlightening for me. I really enjoyed learning about the 3 major components of acting because I had never completely learned about them together.
It is super exciting to see everything actaully coming together. At first I felt a little lost but I am reassured now.
I have to admit I'm a tad be scared to be off book tomorrow!
Lastly, just wanted to say how amazing you all are! I can't believe tomorrow will be the second Friday. Yikes!
Kelly aka Ariel Katastrophe
P.S. Kelly and technology don't get along. ;)
Saturday, July 21, 2012
Steampunk?
For anyone that doesn't know what steampunk is, this is the look we are going for. Very Victorian design sensibilities thrust into a steam-powered sci-fi world! ;)
Lots of leather, lots of brass, lots of ornamentation...but still lots of room for modernity: laptops, plugs, piercings can all be incorporated into steampunk.
Thursday, July 19, 2012
7/8. The Ship Was The Donut and The Tempest Was My Mouth
Once again, I kinda didn't do one of these for yesterday. I forget why. I just hate trying to write off of my iTouch, so I put it off. Anyhow, we did fun stuff. This guy, Ray Dooley or something along those lines, talked to us about auditioning for stuff. It was way cool seeing everyone --- well, how awesome everyone was -- improve their monologues so quickly.
We polished and such. Once again. Things are getting for serious guys. Today, I witnessed the first playing of Usher within the Conservatory, which is awesome. I also got to see Ian try to kidnap someone. We did a couple games involving the three components of acting: packing (prep), objective (as well as tactic; what the goal of the character is), and reacting (which makes you look more like a human being). And then we polished more.
It totally sucks that tomorrow is the end of the second week. I want to kidnap you all and take you to Russia. I have a glasses factory, I mean, we've got it all over there. All joking aside, you guys are way cool and I will try my best to do my part to make this show great.
Okay, top song is a dubstep remix of "Bad Romance" by Skrillex because a) I was trying to explain to my mom what dubstep was and failed horribly and b) I heard some Lady Gaga, which I haven't heard in a while. She's alright. The song on the bottom is "One of the Boys" by Katy Perry, even though I dislike her heavily now, there was once a time where I liked her. This is probably my favorite song by her. Quite relatable, if you ask me.
-Sierra.
The Definition of Crazy
Its interesting that ian early in the class defined crazy as "repeating the same action and each time expecting the result to be different".
This led into a talk about tactic and the discussion that characters pursue a different tactic at least every page if not every line.
If you, as an actor, do not do this your character will look crazy...and not in the good way.
Real, sane people change tactics all the time...so do real, sane characters.
Wednesday, July 18, 2012
I Stopped Counting the Days...
Day technically 9: I've been Jiggly Puff-ed!
Shinigami apple dance!
Other thoughts on acting / language...
"In Shakespeare, never stress the negative."
"But is the most important word in Shakespeare."
"Never sing Sondheim in an audition."
"Never mime objects in an audition."
"Never yell in an audition."
"Always wear your heaviest shoes in rehearsals."
"If you ever say 'oh, God' your character is always directly addressing God personally."
"Any time you have a list, just say it as one long German word."
"Whenever you are acting, never walk on the line. Plant yourself while speaking."
"Don't speak unless you have the eye-contact of the person you are speaking to."
"The soles of your feat are the key to your body as an instrument."
"We want to see the actor on stage as much as the character."
"Every motivation you have will be caused by love."
Make a list of these off-beat "rules" and file them away, whether or not you like them. These rules will eventually start to contradict each other (I had one Tony-Award-Winning director tell me never to make eye contact with the person to whom I was speaking) and some of them will even seem ridiculous (an acting coach I once had told me never to wear purple in rehearsal) but if they are important enough for one person to hold as a tenant, there's likely some amount of worth in them...maybe not today, maybe not tomorrow, but soon...and once you figure it out it will serve you for the rest of your life.
Same idea / different words
As you are starting to see with our various master classes, the ideas behind acting in this country are all the same but each artist uses slightly words to describe these ideas.
Ray dooley never used the word "beat" but when working worth mia he was breaking down her monologue into beats. He used the word "transition" instead of beats, but its the same thing.
Whenever you hear the same idea described by two or more acting coaches in two different ways...you know its important! Whether you call it a transition or beat, its important to break down every thing to a small atoms as you can and understand why one atom is different from the other.
He used the word "pursuit" rather than "objective", "playing the action" rather than "tactic", & "specific goal" rather than "perfect future".
Whenever you hear a new terminology try it on, use it , see how it effects you. I rather like the idea of "pursuit",
Tuesday, July 17, 2012
We're Awesome...But Y'all Already Knew That!
Yay, we are done blocking! Now we can really start to get into our characters, which is the best part! And yes, this is probably the fastest blocking of a play I've ever been in...but then again we do only have 2 weeks left, so it was probably best that we blocked it quickly.
Ummm...yeah, I'm pur-rity scared about our "auditions" tomorrow. Doing auditions in front of the panel (or whatever the auditioner-people are called) is ok, but doing in front of the REST of you guys is pretty scary. I don't know why, but it just is. And to make matters even more cringe-worthy, Ray Dooley is going to be there (it is him tomorrow, right?), and there is NOTHING more frightening than acting (I know monologues aren't technically acting, but still...) in front of an incredible actor, especially one that you've seen perform on a professional stage before. I dunno, it's ridiculously, incredibly, tremendously intimidating. But all hyperbole aside, it is good to practice auditioning. I just need to think about the chocolate...the chocolate...
Oh yeah, and today was difficult. Commedia del Arte is pretty hard (at least for me, but you guys that performed today were great!) but also fun; I also found it to be very interesting. Ha ha, wow, that was a loooooong rant. Good gosh, I really do babble a lot. Well, to conclude, great job blocking, and see everyone tomorrow at ten!
-Elise K.
Day 8?: Accomplishments Accomplishments
Honestly, I have never blocked a whole play in the time we have; usually takes a bit longer. I'm excited to do everything that will come now.
So aggghhhhh, anyone else kinda wigged out for that audition tomorrow..? It was just kinda brought upon us sooner than I would liked I guess, but I hope to do well now knowing the things we learned about auditions. I'm bringing some chocolate for myself afterwards. :P I find myself nervously excited (if only for the chocolate).
Wow, I have basically not much to say today. Loved the guest speaker today though. What was HIS name? (I can't seem to remember either of the guests' names so far)...Jason?? Someone?? Remind me?!
Week 2 is already great!
Anyways, song links, song links, song links:
Slow song: http://www.youtube.com/watch?v=KO45Mii4oE8
Another slow song: http://www.youtube.com/watch?v=2LlfRKvMHy8
Slow-ish song: http://www.youtube.com/watch?v=zvCBSSwgtg4
...I'm in a bit of a slow mood...
Alright, one diverse, faster, jazzy one: http://www.youtube.com/watch?v=iqWNOUOxjPI
Ergh, tired. Till tomorrow,
-Emily Rose
6. I Said, "Use A Coaster"
Alright, so we had this guy come in and talk him about commedia dell'arte, which is pretty wicked. Sort of like improv, but you have stock characters and the audience is more involved. Originated from Italy, I like the idea of masks and different plots you can do with that. I'd love to see something along those lines. Who runs that sort of thing? I guess there are companies of some sort of thing.
We also finished blocking the Tempest today! Very exciting. I actually get a slightly big bit near the end. Ariel talks Prospera down before she nearly killed Alonso and the gang. Pretty cool. I think it makes it real that Prospera couldn't go through with it. Conscience and all that.
So yeah. I've gotta do stuff. Everyone should watch Next to Normal as well as the original Star Trek. Js.
This jam is pretty kicking. Old school, but you'll probably know it kinda. Ignore the weird guy whose singing.
-Sierra.
Monday, July 16, 2012
4/5. There Can Only Be One
I feel slightly guilty typing this in Courier after Ian's rant about fonts today. So I didn't do my fourth blogpost, so I'm combining both days in one. Oh, like you haven't done it yet. ;D
All joking aside, a guy who looked like Adam Savage came in to talk about acting and such. Thanks to his helpful tips, identifying motive and beats really help with finding your character's tactic. I also found out I tend to act within the first and second circles of...agh, I can't remember the terminology, but basically, onstage or in life, your stature and your body language tends to put off... -- gosh, I'm bad with words right now (with all the dots, I feel like I'm a Lady Macbeth monologue right now) -- something. You put off this idea of yourself by your posture and body language.
Well, that was a horrible paragraph. Anyway, today, we talked with Ian about auditions, which made auditions make a whole lot less scary. I did absolutely dreadful for my audition, but luckily, I intuitively hoped that charm would make them realize that I could be (may be?) good. I've just always assumed I'm less talented than everybody else going in and that makes me very deconfident (the opposite of confident, if you don't know prefixes) in what I'm doing. So thanks, Ian, for pulling back the curtain of your strange organization of directors in the North Carolina area.
So double tracks, as you can see. The top is one of my favorite songs (I have a lot of favorite songs, but this is an older favorite) by Tokyo Police Club. They're alright; I just like this song for some reason. On the bottom is a Bon Iver song I found from the television series Chuck. From this song, I enjoy another Bon Iver song, but this one made me sad happy, like most Bon Iver songs.
The best part about it is the quietness and then it goes into
SO MANY FAURALAAAOOHOH
SO READY TO BE FAUUU
SO READY FOR US
SO READY FOR US
AHHH CREATURE FEAR.
So yeah. Byes. OH WAIT, by the way, for any of you Next to Normal punks, Fro's having a Next to Normal sing-off tomorrow, so do your homework. You also should make sure to figure out your character's tactics, as well as straighten out your monologue if it need straightening. BYE GUYS
-Sierra.
Friday, July 13, 2012
Day 5: Our First Friday Together
A song from a musical: http://www.youtube.com/watch?v=6TdSz57cbQY
A song you've probably heard on the radio: http://www.youtube.com/watch?v=G45QmaBlJCo
And a song that you should be careful about listening to because there is one particular curse word that's used a lot (but I love the meaning in this song): http://www.youtube.com/watch?v=xjLrhNc2Tw8
Monday should just be here now.
-Emily Rose
Thursday, July 12, 2012
Oh Shakespeare...
Shout outs. :)
Fantasmagorical Fourth! Eye Drop Safty Article?
Day 4: Shakesperian Lessons and Memorization
Well, today we all saw the sight of Ian with long locks. What were all of your reactions to that?? I thought it was hilariously amazing, really.
Anyone notice how giddy Ian gets when he talks about Shakespeare too? I hear he gives (basically) the same rant every year, but he seemed so..I don't know...enthusiastic about it, which I just loved. I am going to keep my notes on Shakespeare forever.
I am so glad that Friday cast got to read the script in the lobby over and over today too, it really helped the beginning of my memorization of my lines. I feel more confident about them now. Sitting around can be pretty beneficial.
Ermph erphm erphm.
Oh! For anyone who wants to, the townhouse area I live in has this pool place and, with my fun card thing, I can have up to 5 non-resident people with me. So if any of ya ever wanna come swim with me, you're welcome to. :)
For my Krispy Kreme going friends: http://krispykreme.com/Upload/July13BdayDeal.pdf?FriendlyName=Birthday+Deal+Flyer
For my music loving friends: http://www.youtube.com/watch?v=ksWm5AwpSBg
For my other music loving friends: http://www.youtube.com/watch?v=7EUABxW4nrs
...."And now farewell till half an hour hence."
Or rather, farewell until tomorrow!
-Emily Rose
4. Lowercase J-Walking
Hey guys :D Today was mainly Shakespearean stuff, which was surprisingly more interesting than my previous conceptions had planned for. Honestly, I thought when Ian sat us all down, it was going to be the same old thing that all my English teachers talked to me about when they talk about Shakespeare. "He's so great," yada yada yada, "was the best playwright ever," blah blah blah, etc., etc. And not to say that he isn't one of the best playwrights or that he isn't that great, but to hear it over and over again, it gets kinda boring.
But I learned stuff I didn't know about Shakespeare and how he talked and it was just way interesting. I've never really dug that deep into Shakespeare. I mean, I've seen a few of his plays, but probably what made his words make a whole lot more sense was when Ian was explaining that Shakespeare is talking in Modern English, but he's writing in poems. Everything is so passionate and the words are crazy because the way the words sound and mean are important, and with that, you can "score" his words. That was really helpful, by the way. Punctuation walking was really fun :)
The blocking is coming along. Being the Friday cast, it was interesting to see what it all looks like. I hopefully will do the best that I can to follow Jason's "broad strokes" towards what he wants the Ariels to do. I also hope I don't mess up my solo xP But seriously, everyone, watching what we have so far is really cool. Like, I went and saw "The Tempest" recently and I'm more entertained by watching you guys do it than people that were paid to put it on, so pat yourselves on the back.
Oh my gosh, these are really big paragraphs. Sorry about that. Anyway, tomorrow will be the end of the first week and it's bogus because I really want more time than three weeks to do amazing things with all of you guys. It's just really fun doing everything we've done, going to Krispie Kreme, spending time with everyone, and I am having the time of my life.
So yeah :3 Ian, I'm happy you're alright. Thought the black market thieves were coming back for more for a second there, but plot twist: you're in one piece. By the way, everyone should check out the song the Ariels are singing. I personally prefer the rock-out version of it, but the acoustic version is alright.
Okay, because I did my last post off of my iTouch, I didn't attach a song, so I'm sorry. To fix this ailment, I have a song on the top as well as on the bottom. The one on the top is "In the Mood" by Glen Miller and it's pretty good. You've probably heard it somewhere before. I think I've heard it in Fallout 3, but thankfully, my music teacher brought my attention to the awesomeness of Glen Miller jams.
On the bottom is a bit from Dana Carvey's stand-up from '96 or '97 or something. It was the late '90s; he was on SNL. Things were different. Either way, it makes me crack up every time, so enjoy that after you read this.
I guess I'll see you all tomorrow!
-Sierra.
Day No. Cuatro
IMPORTANT! ALL ARIELS!
Wednesday, July 11, 2012
My Lovely Dancers-
I cannot believe how brilliant all of you are. It is amazing that only two or three of you have had dance training before because let me tell you- the girls on my competitive team take at least 3 months to learn a full routine AND they are always complaining. Y'all did not complain at all. You were attentive, alert, willing, and trusting. Thank you for letting silly ol' me lead you blindly "into the storm."
I have never seen such dedicated, hard-working, talented, or sweet girls in my life. I am so thrilled to work with such a professional group of dancers! All of y'all have displayed amazing talent, so do not let anyone tell you otherwise! The work y'all have accomplished speaks for itself.
When I signed up for my major- a BFA in Theatre Arts with a concentration in Theatre For Youth- I was asked to elaborate on what I planned to do with this degree as far as a career goes. I replied, "I would like to teach high school students in a conservatory setting so that they are inspired and experienced enough to achieve their dreams- whatever they may be." I thought this idea was a little bit idyllic and utopian, but today you have proved me wrong. The kind of work we did to day is what I've dreamed of; it is exactly what I want to do with my life. Thank you all. Thank you. Thank you. Thank you.
And just think- we have the foundation well in place. Now we can spend 2 and a half weeks making it flawless! We've seen what we can do in two days... imagine two weeks! Move over So You Think You Can Dance, because the Ariels know we can dance!
I am loving getting to know everyone, and by the end of the summer I know we will be a true dance family.
See y'all tomorrow! (Don't forget to stretch!!)
Fro
(Also, if y'all want to add me on facebook, search my full name: Sophronia Rose Knott)
Plot twist! Ariel is actually the Black Swan.
07/11/12 (Third Day)
I would like to reinforce...Peter and the starcatcher-- using a rope to create a scene
Dubstep, Never have I ever, THE TEMPEST, Avatar costume elements, Beat boxing
--Luther Martin
Tempest: a violent windstorm, especially one with rain, hail, or snow
"It's the ten commandments, it's the parting of the Red Sea, it's the biblical whirlpool from hell." This was the only clip of the Pirates of the Carribean 3 Maelstrom I could find, but it's what I envision our tempest as in Act 1, Scene 1.
I love this scene for a lot of reasons, but most importantly, I think it has relevance to the work we did in rehearsal today. The actors in this scene literally had rain and wind pelting down on them, and waves crashing over the deck sweeping them in all directions. Gore Verbinski created every element of the storm except for the actual ocean and then thrust his actors into it, so that, not only could he film better, without having to artificially create a storm, but the actors could feel it. They were in the middle of a storm.
This scene plays wonderfully because of the producers' big-budget choices. The actors don't have create anything artificial in their voice or body language, because the storm is actually there. It's not artificial. And you can really see how genuine their responses are. They don't have to remember to raise their voices or over-enunciate their words or invade their shipmates personal space to try and communicate, because that type of response is automatic in the midst of this kind of storm. Both ships were actually at an angle during this scene. When you see the actors clinging to the deck, it's because they don't want to be swept off of it.
What the actors do in this scene is a patter of behavior, like everything else, and I think it gives a great example of the kind of things we can do onstage to make this storm real. We don't have a storm. But we have movement on stage (a truly spectacular dance, choreographed by Froni) ,and we have object work, and we have you guys! If you see the storm, the audience will see it.
Has anyone seen Peter and the Starcatcher? I've only seen snippets of it online, and interviews from the cast. If you're interested in it, I like the following clips. It's kind of an interesting and extraordinary production. A bit experiemental I think, in regards to comedy and staging. Our staging today reminded me of it. It made me very happy.
Peter and the Starcatcher: First Look
Starcatcher Clips/Highlights
I never really understood this breathing thing until today. I'm always astounded by the amount of air I can get in my lungs when I lie on my back and relax a little, letting go of the tension in my hips and legs. Retaining those skills we practiced today--the ability get a full breath, to sustain that breathing in order to support speech or singing--is really difficult. You have to make it a habit. You have to use your body in a new way, and remember that physical shape and process using sense memory.
This year, the breathing and vocal work came a little easier to me because I've had some singing lessons from a really wonderful instructor. Here are some tips I learned, stuff that has helped me enourmously over the years.
1. Relax. If you're holding any tension in your body, you can't get a full breath. Good posture is good, but there is a huge difference between good, upright posture and rigid posture. So many people tense up trying to breathe deeply and fully just before they attemptto sing, and that tension and rigidity only hurts you. Prepare to take a deep breath and them freeze. If you're holding any tension in your body when you're prearing to take a deep breath, in your neck or shoulders, in your upper chest and back, or in your lower back and stomach muscles, release it.
2. Make sure your knees aren't locked.
3. If you're still trying to envision pushing that breath down and you can't quite get it, try bouncing up and down a little on the balls of your feet, bending your knees slightly and then straightening up again.. Move your hips around a bit in circles, get those muscles loose and circulating. A full breath is the kind you get when you do what we did today--when you lie on your back and focus on your lower stomach and back muscles.
I love voice work.
Day 3? Wow.
3. Fro, You Are Brilliant
Anyway, Krispie Kreme is pretty awesome. What's more awesome is getting an hour and actually sort of learning a couple moves. I realize I didn't really get everything down, but it was very nice of everyone to say nice things about the Ariels, who are all fantastic in their own right.
It's great spending time with such great people who are just open to anything and that's awesome. :D I can't wait for all of this stuff to come together.
I also would like to say that Fro, you're pretty awesome to come up with all that. That's wicked. :)
-Sierra.
It's only day three?
Day 3!!!
Day three: ARIEL IS THE BLACK SWAN!
1) I talked to a few of you about the eye drops... I have NO IDEA if we will be allowed to use them, or if in the end it will even matter of we do or not.. But for those of you who didn't hear, they have a new Cosplay product out called Iroeye Eye Dye. It's basically an eye drop that "dyes" your eyes temporarily. It is 100 percent safe, FDA Approved, and absolutely amazing. The colors come in Blue, Green, and Purple, so i was thinking a blue or purple.. The blue is like, REALLY blue, and especially people with blue eyes, it will make them pop.
Here's a link: http://www.youtube.com/watch?v=44SGQ1wzoPE
I will tell you, though. they last up to six hours, so even after the production, you will have crazy eyes. but they WILL come out. Promise. I've used them before but they were a friend's, so I didn't know how much they were or anything. Most likely, they are somewhat expensive, but if we all pitch in, we could buy a bottle. We would just need one, because only one drop will turn your eye.
That said,
2) Falsies. EVERYONE NEEDS TO BEFRIEND FALSE EYELASHES! Even if you have long eyelashes, it will be useful to get them! I'm talking like, the longest, craziest, curliest, weirdest, bedazzled, feathery false eyelashes ever! I have a few pair, but not enough to spare! So please please pleaseeee....they are your friends!
3) I need to measure the Ariels tomorow, because I am making your costumes. I decided it would be better to just make them then try to find blue leotards for everyone. So I need measurements, and also if you can sometime this week give me 5$? If every ariel pitches in 5$, I will have enough to buy everything to make us look AMAZINGLY CREEPY AND AWESOME!! I know its kinda mean to ask for money... but i REALLY have NO BUDGET AT ALL. I mean... I dont even have enough money to buy my son a new hand... :( (Reffering to my doll, Yoru). A list of things I need, so you know I'm not going to go buy drugs or something....
Face Gems, Blue body/face shimmer, blue and white satin, blue spandex, white tool, feathers.
I LOVE YOU GUYS IN ADVANCE FOR HELPING!! And you also get to keep your costume... so yeah!
4) Caliban, I need you guys to get together and put together a green shirt. I need it for your shell.
5) Jason, how big are we talking, wingwise? And which Arials need to become harpies? And what are we doing for the houds?
Thanks guys!! I'm EXTREMELY excited about making the Arials incredibly creepy and awesome. I'm getting all of my inspiration from Avatar, previous Tempest performances, and xxxHolic. XD
I love you all! Sugoii, Sugoii desu!!!!
~Tay~
Links!
Here is a link to "79" by The Nodd
Here is a link to "79 (solo acoustic guitar version)" by Dug
Here is a link to A Polka Cover of Dire Straits' "Romeo and Juliet"
Here is a link to link.
On Monday we'll take some time with anyone that can learn the song on their instruments and decide whether to have instrumentation or to do it a capella.
Fantastic way to launch into blocking of The Tempest. Jerome Davis (the Artistic Director of Burning Coal) even stopped me to tell me how much he liked it!
DAY THREE!
As far as today, well, it was awesome!!!! so many inside jokes and fun times, this is such a great cast! May i just say that the first scene will be boss, go ariels tearing down that ship. #thisboatisgonnadropfasterthanthebass
Dont forget tonight anyone who wants to come, spiderman starts at 7:15 at mission valley cinema, all are welcome, at the very least Colton and i will be there.
Im really having fun with all of you. Let me know if you want to hang, im always up for that!!!
--cat--
ps. i know this is crappily written but i have to clean my room before i go to the movies :/
Tuesday, July 10, 2012
Having Fun With Improv...? I Think So
-Elise (not Kara) Kimple
The Ressurection of the Dead Baby (Joke)
a.k.a Baby in a Blender
7/10/12 (Second Day)
I am always amazed and astounded and astonished and cheered at what people come up with when doing improv. 42ooooo. Yeah, get it giirl! Susan ate them.
What on earth would I do if not laughing at your incredible antics and surrounded by such amazing people--who are willing to throw everything they have into something new. Improv--I think--really isn't about anything other than saying yes. Giving it a shot. Attempting to act on the fly.
Often scenes and lines go in comedic directions, but that's not the most important thing. The most important thing is that our wonderful STC group this year may be a bit scared of improv (I definately am) but every single person is willing to try something new. Go our group!! I got over some of my fear of improve today. The rewards far outweigh the risks.
I didn't get a chance to say this today, but I would like to reinforce the insanity and chaos that explodes when buffaloes start to stack on top of each other, each person pursuing a different objective. Namely-- our two person scene >> six- person scene. Every person dragged in a new dead buffalo.
Jason taught me a valuable lesson today about how improv doesn't always have to be like that. Just because a scene might be stalling a little doesn't mean it's dead. The first three lines are the most important, and after that, all you have to is follow a pattern. I would also like to reinforce how talented everyone is. Every single one of you. I not only surprised myself today in improv, but I was surprised by some of the people who got up there and did it, and were pretty darn good at what they were doing.
I love surprising myself, but more than anything, I love being surprised by a castmate/ensemble member. Someone will get up on stage and catch me completely off gaurd, doing something I hadn't thought they were capable of or willing to do. Teaching, and being in a classroom, offers that experience more than any other field.
In addition to that, and even more importantly, when these people work together, when an ensemble does improv, when a few people are thrown together and told to make something work, what ends up happening is an amazing creation that no-one could ever have predicted, and none of us could have done on our own.
"The whole is greater than the sum of it's parts." -- Aristotle
I'm even more surprised and amazed and just Happy, at the stuff we ended up performing today, with each other. Also, I just want to say, I love Jason's non-rules for improv. Ask questions. Say no. Do whatever you want--anything within the first three lines, but do your best to keep the scene alive.
We all build walls...
...not to keep people out, but to see who cares enough to knock them down.
7/09/12 (First Day)
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"Is there anybody out there?" |
Pink Floyd-- "Mother"
This past week before STC I went to New York to see the Pride festival and parade down Fifth Avenue. The energy was incredible. It's like a wave of sound crashing over you, passing through you, atomizing your own energy and essence and making the rush even stronger. This concert made the parade almost pale in comparison.
I always forget how big the RBC center is until I walk into it. I spent the entire time staring at Roger Waters with that hugely bright spotligt on him, and imagining what a rush it must be to perform in front of that many people. And it was definitely a performance. And those thousands of people, making all that noise, they were all there for him. Just him.
The concert itself was indefinably loud. I mean, when you get that loud, there are really no subtleties. There's only the fact that it's loud. I think I permanently lost some of my hearing ability. I'll probably be coming in tommorow looking hungover. Don't worry about it.
Every day I walk into class, I'm never expecting to be surprised. I always feel like maybe I've finally gotten a handle on everything I need to know. And every day, I am pleasantly, yet completely, shocked. Even though it was the first day, today was no different. The first surprise of the day came when I was asked to define respect. I know how it's used, what it means. I know what it means in regards to others and ti my community and to myself. But today I had to think for a minute. Putting a concept like respect into words is difficult. I learned a long time ago, the only way to really learn something is to make a mistake. I know what respect means. But having to stop and think about it--that was a new experience
The second surprise of the day came when I was asked to dance, along with the other Ariels. I've always admired dancers. I think a lot of us have. It's kind of an always-there, always-hidden desire in the back of your head-- to be a dancer. For me, at least, this is the way I feel. So I was super excited about finally gettingthe chance to learn how to dance. I should have known better. Dancing, like everything else, is a specific skill which requires both practice, perseverance and hard work. And learning new things. Trying to learn the things I was asked to learn today has been, by far, the most challenging thing I have ever done. I now have a great deal more respect for dancers.
I can see how dance lessons would help any acting student. Dancing requires you to be constantly aware (constant vigilance!) of and in control of every part of your body. It takes an astounding amount of muscular strength, flexibility, and practice. Dancing, more than anything else, I think, is an exercise which requires you to develop particular habits and routines for your body, so that you can manipulate it more easily. It's like sense memory.
When you memorize a song on the piano, you don't memorize the sheet music. The playing of the song--through enough repetitions--becomes an automatic habit, so that eventually you can just put your fingers down on the keyboard and play. You're memorizing the feel of the song--which fingers you are using to hit the keys and when. Dancing is similar, as is acting. Rehearse a routine or performance enough with a specific objective in mind, and you can learn the entire routine perfectly.
But unlike a pianist's mistakes, which are easy to spot and to hear, a dancer or an actor--or even a singer--has to be more aware of everything that they do, so they can spot their own subtle mistakes and correct them. And eventually, acheive a performance they can be proud of. And those tiny mistakes--those subtle things that you want or need to correct for a performance--they really only matter to the performer. In my mind, that makes them more important than anything the audience sees.
Have a elear objective in mind. Be aware of your choices, your actions, both physically and vocally.
Sense memory. I'll have to remember that.
Btw--I want to wish Ian all the best, and hope he is still well and recovering from his surgery. Any surgery, however minor or major it is, is both exhausting an taxing on mental physical and emotional qualities. So get well soon Ian, and I hope you're back on your feet tommorow. (ps--please don't overtax yourself)
Reinforce--If you don't know your name I can't help you. The two Prosperas! Stage planking. Jason, for stepping up to the plate and being awesome.
Crazy 2nd Day!
So, I'm pretty excited about this next fact: My 17th b-day is on Thursday!!! AHHHHH!!!
Phew! Ok, now I'm over that excitement. Anyway, I guess I'll just start ruminating now about all the stuff I want to cement. Well, yesterday, we learned some interesting things about our senses besides sight - namely, how important it is to use memories of touch, like in the blind circle excercise, and body memory, like in the sculpture excercise. When I started dance at the age of 14, among older girls who had been dancing most of their lives, the only way I could survive was by remembering how certain things felt when done correctly.
Similarly, body memory is a vital skill in my main art - classical vocalism, which is entirely based on tiny muscles we don't consciencely (sp??) use on a day-to-day basis. Instead, we are required to explore these tiny muscles, and keep track of how they feel when manipulated. I'm glad I could make these connections to the excercises we did.
On to today: I cannot begin to express how much fun all the improv excercises were today!!! It was fun not only to participate, but also to watch! It was like a free comedy show! I was so impressed by everyone's ingenuity and quick-thinking. I think my favorite would have to be the dead baby excercise, but I also had fun with the quick 3-4 line scenes we did where we practiced fitting as much info as we could into the beginning so the drama could move forward.
Also, in the script reading, I was glad to see that we were all very adept at interpreting Shakespeare-speak. It seems like very soon, we will all get the hang of the contractions, gender switches, indented lines, and pauses at punctuation instead of the end of the line.
I can't wait to add song and dance to this show!!! I'm so excited to see where this show will go!
Bye!
-Sydel
Day #2
Day Two: Poor Dead Babies
Collectively, today was pretty interesting. Normally, Improv isn't usually my cup of tea, but I gotta say, I enjoyed myself today. I like what I learned and watching everyone with their crazily improvised scenes. I can't get "Where are the keys?"-"My pocket, I'm leaving you." out of my head, and laugh through pretty much all my looking back on today. Susan's still also on my mind.. :P
I actually have a friend who takes fancy classes for Improv at Second City in Chicago, and I'm sure she learns a lot, but I feel like I learned a lot today too.
I'm glad too that I kinda feel more chill about today. I may've still forgotten some names, but having most of you on Facebook will definitely help preserve my memory. Getting to know you all is really fun to me!
Thats pretty much all for now, but I'll seeya guys tomorrow!
Also, for those who were curious about the "Scottish Play", I found the Wikipedia article..it's pretty interesting actually http://en.wikipedia.org/wiki/The_Scottish_Play
Ban ban Caliban ban to you all!
-Emily Rose
Alsooooo, I've never been a fan of the song "We Are Young" by Fun., but I really do love this one..anybody else? http://www.youtube.com/watch?v=QQOgXaxXpwk
2. Whose Line /Is/ It, Anyway?
Today was interesting. Lots of improv, which is pretty fun if you're good at it. I'm not particularly fantastic, as I found out, but I'm happy I learned about it. I also learned that people can be pretty funny under pressure. You also shouldn't think that you're funny or intentionally go for the funny nor jump into a scene without really thinking out what you're going to do.
I felt like I was thinking too much about what I wanted to do and ended up messing up. For example, when I stepped up to "Kill the Baby" (imaginary, of course), I kinda just bounced around the imaginary space because I wasn't really sure what I wanted to do because I wanted to be clever and funny. At least I created the Susan thing.
Another thing: slot machines look alot like stamp vending machines when mimed out by Jason. It looked kinda like he was in a post office in Vegas. "Big money, no whammies...oh, no stamps. Why do I mail things here?" I may use that. It's also fun to get murdered by your husband via poison onstage. Ian is quite clever. Kudos for making me look humorous. And it sucks not to have legs or to be short, Alan.
So today was really fun and I can't wait for tomorrow. I also hope that Ian (Finley, I mean)'s feeling better, so hopefully, we'll all see you tomorrow! :D
As for the song above, this song puts me in a mood and it's just sounds like it needs to have a storyline go with it. If I ever end up a director or some sort of writer of some sort, then I will most definitely use this for something.
Well, I'll see you guys tomorrow! :D
-Sierra.
COSPLAY IN SHAKESPEARE?!
What do you mean you've never improvised before?!?
"And then there was that time in Kindergarten when she made me eat paste."
"I wonder how she'd like it if we filled her swimming pool with paste! I'm going to mark that on the map."
"Why don't you have anyone here to help you de-vein the shrimp?!?"
"...because I've been waiting for you. I've been waiting for you for a very long time."
"Hello, Mr. Smith. Is your daughter home? I haven't seen her in a couple weeks, so I just wanted to see how she was doing."
"Susan! It's me...I've done it...I've grown a beard!"
Just remember the next time you improvise to say something obvious "This is awkward conversation", name the relationship "College will be so lonely without you." or start an activity "Can I get you a drink?" Simple things will get you through.
Sorry for the lazinesz
Close Enough to the First Day
Monday, July 9, 2012
1. Sorry If I Was Loud
So going into the Conservatory -- any particular name we should use? I'm feeling the Lair, but it's not particular evil, unless you consider the fact that Ian's APPENDIX WAS STOLEN, and the fact that you have a LADDER OF DEATH. No exaggeration. Ladders of Death. Not particularly my style.
Anyway, returning to the whole reflection thing: thought I was going to be a bit awkward, but unexpectedly acted cooler around people than previously expected. Hey, I surprised myself. Guess I was ahead of the curve on that one (in terms of the covering the floor exercise thing). By the way, quite cool the way you're doing things. I would've thought that learning stuff wouldn't have been as fun as you guys made it, so thanks for that one.
As to the dancing thing, I'm not all that great. I'm sure many could tell whilst I was jumping around the room like the floor was lava. The Ariels dance in the beginning bit of the play and I'm worried that I'm bringing everyone down, so I apologize ahead of time once again if that becomes the case, especially since there are a lot of really wicked people I'm gonna be hanging around with for the rest of the month.
Everybody I talked to seemed to be pretty talented, no joke. People actually knew what I was talking about and the read-through was pretty awesome to listen to. It makes me happy that I'm part of a group like you crazy kids.
I hope you guys don't mind me. I tend to talk alot with crowds. If I am talking too much, please say so because I know in my heart that I'm probably bothering you. I'm just trying to get better at this whole acting speel and fit in and all that.
By the way, the song above is a present for you. You read this; you get to jam to something you may have never heard before. This song has been in my head for the past two weeks or so. It's quite catchy and the beat just gets in your head. I hope you like it and I will see you all tomorrow. :)
-Sierra.
Day One: Already Having a Great Time.
P.S. my Facebook page for those who may want to add me:
https://www.facebook.com/profile.php?id=100002376854236
numbreo uno!
Im looking forward to some serious Shakespearean insults tomarrow
gnite!
--cat--
Day One
So I feel like I should retroactively introduce myself, since I failed to do that before STC began. For reference, I'm the guy with the long hair.
I'm eighteen. I just graduated Raleigh Charter, and I'm heading to Kenyon College in the fall to (probably) study English and Film. I have a passionate interest in just about everything, including but not limited to books, movies, all manner of pretentious things, theater, comics, art of any sort and pretty much anything else.
Apparently we're discussing the movie thing, so I would say that everyone should go see Moonrise Kingdom. Seriously, it's fantastic. And Jasmine, if you're interested in cinematography, you should definitely see it, because Wes Anderson has the absolute weirdest cinematography of pretty much any director ever, and it still works beautifully.
Today's work was largely businessy stuff, but as far as stuff to cement, we worked on the idea that muscle memory is often better than normal memorization for theater work, which makes a lot of sense to me.
And as long as we're talking about dubstep, this will always be my favorite: